Setting is an essential element of storytelling, providing the backdrop against which the plot unfolds. However many writers (especially those just starting out) often make common mistakes when creating their settings. Here are some common setting mistakes writers should avoid.
Being too general with settings
If the setting is too general, readers may feel disorientated and disengaged. To avoid this happening, include specific details that reflect the unique character of the setting. Describe the local customs, architecture, dress and the sensory experiences unique to that location. This can make the setting feel like a real place that readers can visualize and connect with.
Being inconsistent with details
Keep a detailed map or notes on your setting’s geography, climate, buildings and other key aspects to maintain consistency throughout your story. For instance, if it takes a character ten minutes to walk from one end of the town to another and on another day it takes half an hour, readers will notice your boo-boo!
Detail overload with the setting
Giving too much detail is often called an ‘info dump’. Instead of bloating up pages with a rainfall of description, try being selective with details. Imagine the setting as a character – what stands out most about him or her? Choose details that characterise what that person is like and shows emotion. For example, they could be the anxious type, constantly fidgeting with their sleeves; briefly describe what they look like as they do so. Now transfer those same principles to the setting. What stands out most about the setting and how would you characterise it? What feelings come to mind as you describe the setting?
All good fiction evokes emotion.
– Tara Lush
Ignoring the impact of the setting
The setting should influence your characters and plot. Consider how the setting affects your characters’ lifestyles, speech patterns, and world views. By doing so, you create a more believable and immersive story.
Failing to use all five senses when describing setting
A rich setting engages all five senses, making it more alive to the reader. Think about the sounds, sights, smells, tastes and tactile sensations present in your setting. For example, the saltiness of a gentle sea breeze, the hum of city traffic, or the rough texture of an old building.
Overlooking culture and history in setting
Every setting, whether real or not, has a cultural and historical context. Not taking this into account can lead to unrealistic settings, so do some research on the history and culture of your setting to ensure accuracy.
Not adapting the setting to the story
If a setting doesn’t contribute to the plot or to the development of characters, send it to the bin. The setting is there to enhance the story, not take over from it.
BEAUTIFUL WORD OF THE DAY: UNCONSCIONABLE. Meaning to have no conscious or principles.
Ignoring the passing of time
Make sure you take into account the passing of time. Seasons change, buildings and people get old, and communities grow – consider how this would change your setting.
Relying on cliches with setting
Cliched settings (like a haunted house on a hill or a medieval marketplace) can feel tiresome and unoriginal. Consider bringing a fresh perspective or a unique twist to your setting. Originality can make your story stand out more and keep readers engaged.
Neglecting to show the setting’s emotional impact
Use the setting to reflect or contrast the inner life of your characters. A stormy night can heighten the tension of your narrative and a serene, countryside landscape can provide contrast to a character’s inner turmoil.
Using descriptive crutches
Perhaps you like the sound of wind rustling through the trees. Well and good, but if you find yourself repeating this through several scenes, readers will notice, and this will detract from your story. Go over your writing, and take note of any repeated descriptive patterns. Now whip out your thesaurus and see if you can replace it with something fresh.
Not having the characters interact with the setting
Stopping the story to talk about the details of the setting will interrupt the flow of your story – try having the characters interact with the setting in some way instead. Describe the setting as events unfold. For example, your character could be hiding from someone – describe the setting where he’s hiding and what he’s doing and feeling. In this way, you’re weaving the description of the setting into the action of the story, which is far more interesting and involving to the reader.
WRITING PROMPT: Write a passage where a customer is involved in a street chase. Describe this chase, weaving the description of the setting into the action.
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